Moulin rouge what is love

We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. However, you may visit "Cookie Settings" to provide a controlled consent.

Cookie Settings Accept All. Manage consent. Close Privacy Overview This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website.

We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience. Necessary Necessary. Necessary cookies are absolutely essential for the website to function properly. These cookies ensure basic functionalities and security features of the website, anonymously.

The cookie is used to store the user consent for the cookies in the category "Analytics". The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is used to store the user consent for the cookies in the category "Other. The cookie is used to store the user consent for the cookies in the category "Performance". Which meant that when it came time to adapting the medley to the stage, the task perhaps felt even more daunting.

Ultimately, music director Justin Levine decided to leave the bones of the original piece alone. Predominantly that came via giving Satine a stronger voice and more agency in the piece, as realized by original cast member Karen Olivo who has since left the production prior to its Broadway return this fall.

Levine wanted to amp up Satine's anti-love songs to further foreground her pragmatic view of romance. He also notes that any songs cut from the medley, including Kiss' "I Was Made For Lovin' You," came down to licensing issues, not any disregard for the original choices. Similarly to Pearce's approach to the script, Levine found his way into the song by conceiving of it as a conversation.

In the case of the 'Elephant Love Medley,' before I even began to arrange it and put it together musically, I printed up all the lyrics of all these songs and I cut them up, took scissors to them, and laid them out on the floor so that I was building the scene.

Basically, the idea was that as you read those lyrics, it read like an argument. Levine faced similar challenges to the film, with songs being swapped in and out at the last minute due to rights issues. His original final version of the re-imagined medley clocked in at nine minutes, but ultimately, he whittled it down to just over five minutes.

Forswear it, sight! For I ne 'er saw true beauty till this night. Some may say these lovers have a wonderful relationship, but the way Oberon treats Titania shows that it is anything but perfect. Helena was trapped in a violent cycle of loving someone who does not love her back.

Relationships are something that existed in Shakespeare's time that still play a huge role in today's age. Though their love may seem pure and innocent on the outside, it later morphs into an unpredictable obsession that threatens the normalcy of their lives. Their story shows how strongly emotions can impact people, and how the downfall of one or two individuals can wreck an entire community. The line between love and madness has to be traversed in order to reach a place where both people in a relationship are happy and emotionally connected, but getting trapped in a place of infatuation and recklessness can, and will, lead to the destruction of both….

The effect that this has on plot is that Juliet and Romeo are too meet in private for their love to prosper and their loved ends in tragedy because of the feud between the rival families. But fortunately the feud ends with the families commemorating their love and death together. This line describes love as a monster that makes Juliet fall in love with her worst enemy. This is a metaphor of love comparing to a monster who makes people fall in love with their enemy.

Essays Essays FlashCards. Browse Essays. Christian : It's not important. We could work on it tomorrow. Satine : Oh, how dare you!

It cannot wait until tomorrow. We will work on it tonight until I am completely satisfied. The Duke : B-But my dear Satine : Dear Duke. Excuse me. Christian : [smiles] I'm sorry. Christian : India! It's set in India!

And there's a courtesan, the most beautiful courtesan in all the world. Christian : But her kingdom's invaded by an evil Maharaja! Now, in order to save her kingdom, she has to seduce the evil Maharaja. But on the night of the seduction, she mistakes a penniless po- a penniless- a penniless sitar player for the evil Maharaja and she falls in love with him! Christian : He wasn't trying to trick her or anything, but he was dressed as a Maharaja because Christian : The Moulin Rouge.

A night club, a dance hall and a bordello. Ruled over by Harold Zidler. A kingdom of night time pleasures. Where the rich and powerful came to play with the young and beautiful creatures of the underworld. The most beautiful of these was the one I loved. A courtesan. She sold her love to men. They called her the "Sparkling Diamond", and she was the star The woman I loved is Satine : I can't believe it. I'm in love. I'm in love with a young, handsome, talented duke.

Christian : Duke? Satine : Not that the title's important, of course. Christian : I'm not a duke. Satine : Not a duke? Christian : I'm a writer. Satine : A writer? Christian : Where were you last night? Satine : I told you I was sick. Christian : You don't have to lie to me.

Satine : We have to end it. Everybody knows. Harold knows. Sooner or later the Duke will find out. Christian : Tell me the truth.

Satine : The truth? The truth is that I am the Hindu courtesan Satine : [enters Christian's loft in hysterics] Oh, thank goodness! Satine : I couldn't! I couldn't go through with it! I saw you there and I felt differently! I couldn't pretend! Satine : And the Duke he saw! He saw and he-Christian, I love you. Christian : [quietly] It's okay.