How does raskolnikov change in crime and punishment




















Eventually, Raskolnikov falls dangerously ill and spends some time in the hospital. Infinite happiness lit up in her eyes. The narrator tells us that Raskolnikov does not mind the conditions of prison life but that his pride has been deeply wounded. While Raskolnikov is ill, he has a dream that a virus is sweeping the country. The virus causes its victims to suffer a madness that causes each to think him- or herself the sole possessor of truth. People cannot get along and so tear each other apart.

One day, she manages to meet him outside. They sit next to each other for a moment, holding hands. Previously, when they had such opportunities and held hands, Raskolnikov felt a sense of revulsion. But this time is different. He collapses in tears and embraces her. They both realize that he truly loves her. They resolve to wait out the remaining seven years of his prison term. That evening, Raskolnikov thinks about Sonya and experiences the ecstasy of love. During the discovery of gravity, Newton had the right to kill hundreds of people who would act as an obstacle in his way of bringing out an idea for the better development of the world.

After the murder, he is mentally destroyed. Raskolnikov not only killed the pawnbroker, but with her he also killed himself. His crime brought no change except the bludgeoning guilt that overpowered him completely.

The only way left to bring back Raskolnikov to life was religion and his love Sonia who makes him confess in the end.

He starts as a rationalist, utilitarian who aims to murder to fulfill multiple reasons. Primarily, his search for a reason to fill the crushing void in his life.

The characteristic nihilism bogs him down to the extent that he must kill to bring meaning back to his empty life. This guilt finally overcomes Raskolnikov, and his further acceptance of this guilt leads to him finally understanding the extent of his actions, coming to terms with his crime. He fails to become the great man he had hoped he would be; he ended up on the erronous side of the law and kills an innocent woman who haunts him. You are commenting using your WordPress.

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Notify me of new comments via email. Notify me of new posts via email. January 5, centreforneweconomicstudies Book Reviews Leave a comment. By Arjun Badola The novel, Crime and punishment, is written by the Russian author Fyodor Dostoevsky who shows us the plight of an ordinary person and the effect on his psyche after he commits a murder.

Like this: Like Loading Leave a Reply Cancel reply Enter your comment here Fill in your details below or click an icon to log in:. If Raskolnikov is to be one of the extraordinary, he must be able to stand alone, without needing human companionship or without being influenced by the actions of others. He must rely on no one and must be completely self-sufficient. When he performs charitable acts, he is temporarily violating this intellectual side of his nature.

The other side of Rodya's character is the warm, compassionate side. It operates without an interceding thought process. His first and immediate reaction to any situation represents this aspect of his personality. Consequently, he will often act in a warm, friendly, charitable, or humane manner, and then when he has had a chance to think over his actions intellectually, he regrets them.

For instance, when he spontaneously gives Katerina Marmeladov his last money, he regrets that he has given the Marmeladov family the money shortly afterwards. If left to his immediate reactions, Raskolnikov would always act in a charitable and humane manner; he would always sacrifice himself for his fellow man — incidents galore abound in this manner, including the reports of his risking his life to rescue a child from a fire or his concern over a drugged young girl who is being pursued by a "dandy" with immoral intent.

The actions in the novel that seem to be strange and contradictory are rather the result of the two aspects of Raskolnikov's personality. When he refuses to allow Dunya to marry Luzhin and then a moment later tells her to marry whom she pleases, this reversal is an example of the humane side not wanting his sister to sacrifice herself to help him, and then the intellectual side contending that he must not concern himself with insignificant problems of others.



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